Showing posts with label Pablo Neruda. Show all posts
Showing posts with label Pablo Neruda. Show all posts

Saturday, May 2, 2015

Origins of Deep Ecology

Bald eagle perched above nest
under a waxing gibbous moon
Romanticism emphasized emotion as a wellspring of aesthetic experience, particularly the awe felt in the presence of the sublimity of nature.

Tennyson's short poem The Eagle exemplifies the reverence of the Romantics.
The Eagle
Alfred, Lord Tennyson

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.

Center of Nature

Poets and artists of the Romantic period (1800-1850) were attuned to the beauty of nature. Romantics viewed humans at the center of nature. From a contemporary perspective, the notion of humans at the center of nature seems ego-centric and naive, but should be seen in the context of the hierarchical mono-theistic dogma of the time.

At One With Nature

Poets and writers in the early 20th century connected natural beauty to metaphorical human organs.
“beauty is a light in the heart.”
― Kahlil Gibran
The mid 20th century began a cultural pivot from the center of nature to being at one with nature.
“As if you were on fire from within. The moon lives in the lining of your skin.”
― Pablo Neruda
Deep ecology is a contemporary philosophy that recognizes the complex inter-relationships of all living organisms. Deep ecology recognizes the consequences of human consumption as an existential threat to life on earth.

Existential Threat

The population decline of the bald eagle is the quintessential narrative connecting human activity to existential threats. The bald eagle population, estimated to be 3-5 hundred thousand eagles in the early 18th century, declined to 412 nesting pairs in by the 1950s.

The human-generated pesticide DDT interfered with calcium metabolism, making the bird sterile or making the female's eggs too brittle to withstand the weight of a brooding adult.

Rachel Carson's Silent Spring, published in 1962, documented the detrimental impact of indiscriminate use of DDT. Ten years later agricultural use of DDT was banned in the US.
"Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is something infinitely healing in the repeated refrains of nature -- the assurance that dawn comes after night, and spring after winter."
— Rachel Carson, Silent Spring



REFERENCES

Saturday, June 29, 2013

June of Every Calendar

In one full rotation of the earth, we observe the appearance and disappearance of sunlight. The diurnal cycle of the earth is one of many reoccurring patterns by which we experience time. We also experience time by witnessing seasonal changes and by observing life cycles.

Physicists and cosmologists have long puzzled over the nature of time.

Turning the calendar page of June, I am struck by the artificiality of time. In Snake River Overlook, I write of Ansel Adams' photograph of the Snake River flowing south past the Tetons that it's the:
"June of every calendar"
The Tetons and the Snake River, 1942.
Ansel Adams, 1902 – 1984
The subject, quality of light, and composition of Adams' grand image strikes a universal chord. Like the predictable cycles of sunlight, or the predictable ticks of a metronome, Adam's dramatic image is memorable enough to become popular iconography.
“Green was the silence, wet was the light, the month of June trembled like a butterfly.” ― Pablo Neruda, 1904 – 1973.
Like clocks, calendars are a relatively recent invention that give us analogs to diurnal and seasonal events. We mark time by calendars. Calendars and clocks name and objectify what we can sense with less precision. Clocks and calendars allow us to attend to time and arrive at appointments at the appointed time.

Time is like months rendered in panels. Which panel is June? Is it the panel behind, the panel ahead, or both?

Pine Trees (ink on six folded screens)
Hasegawa Tōhaku, 1539 - 1610
Time is a voyage of moments. Moments are neither discrete or continuous. It is time that affords us the distance to mark milestones, but perhaps more urgently, it is time that gives us the space for discovery.
“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.” ― Marcel Proust

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